Foreword

 

One's destiny is but a karmic cycle of three previous lives. Prosperity and hardship are feeble passages. We are born into this secular world only to experience this never-ending trouble like three thousand hairs.

From Dream of the Red Chamber (18th century) by Cao Xueqin, this poem portrays the mental stage of Cao's characters, their relationships and conflicts, and pinpoints the philosophical intention of the novel – the karmic cycle of life. Using hair as a metaphor of trouble or a state of disillusion reveals a deep Buddhist sentiment where any material thoughts stem from within (our head). A full head of hair, therefore, would block our perception of the world and essentially our path to nirvana. To be a Buddhist monk, one must shave his head to maintain clarity.     
  
In a city like Hong Kong where material and mundane matters prevail, it would take extraordinary effort to see things with such clarity and conviction. Artist Joey Leung Ka-yin is gifted with such talent. Her body of work in the past decade has demonstrated a keen observation and understanding of the world she lives in. To confront her surroundings, she chose comics over gimmick. To get her message across, she composes her own lyrics rather than borrowing from others. Her paintings are never nostalgic nor pay homage to any distinctive genres. They present the contemporary world as it is – one filled with bizarre people, peculiar episodes and sometimes wonderful chaos. When so many artists today are preoccupied with gender issues and feminist ideals, she confronts this cynical world with clever mockery through text and images. 

Like a Buddhist monk, the pinpoint precision of her messages give her painting a profound substance beyond its fantasy like façade. Curiously, Leung's present exhibition, Mollywood, is about troubles and worries like the three thousand hair. But instead of shaving it off like a monk, she elaborates on these issues by piling up the hair, a lot of them, to form mountains and valleys. These hairy landscapes are metaphors of our troubled land where we can no longer avoid or simply shave off.  A sense of helplessness is somewhat obvious. Yet, like the characters in the Dream of the Red Chamber, Leung sees these events as a cycle thus what goes around, comes around, whether it is prosperity or hardship.

Henry Au-yeung
March 2018

 

 

 

 

About The Artist:

Joey LEUNG Ka-yin

Leung Ka-yin, Joey, an independent artist in Hong Kong, received her BA (2000) and MFA (2007) from the Department of Fine Arts, Chinese University of Hong Kong. Leung combines traditional Chinese painting and popular culture in her works. She explores the use of contemporary writing equipment to present the flavour of Chinese art, trying to push the boundary of different media. The stories in her artworks depict her feeling and fantasy towards modern life. It's also an attempt to introspect the value of tradition in contemporary world. Joey has been creating the series of "Photo-mirror" since 2012. The juxtaposition of photo and drawing constructs a dialogue between "observation" and "imagination". 

 

 


Catalogue available
Size: 21 x 29.7cm | 40 colour pages | Biligual | Softcover | Published by Grotto Fine Art Ltd. 2018

 



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